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Jailbird, by Kurt Vonnegut
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Walter Starbuck, a career humanist and eventual low-level aide in the Nixon White House, is implicated in Watergate and jailed, after which he (like Howard Campbell in Mother Night) works on his memoirs. Starbuck is innocent (his office was used as a base for the Watergate shenanigans, of which he had no knowledge), and yet he is not innocent (he has collaborated with power unquestioningly and served societal order all his life). In that sense, Starbuck is a generic Vonnegut protagonist, an individual compromised by the essential lack of an interior.
Jailbird (1979) uses the format of the memoir to retrospectively trace Starbuck's uneven, centerless, and purposeless odyssey in or out of the offices of power. He represents another Vonnegut Everyman caught amongst forces he neither understands nor can defend. Written in the aftermath of Watergate, Jailbird is, of course, an attempt to order those catastrophic events and to find some rationale or meaningful outcome, and, as is usually the case with Vonnegut's pyrotechnics, there is no easy answer, or perhaps there is no answer at all.
Starbuck (his name an Americanized version of his long, foreign birth name), in his profound ambiguity and ambivalence, may himself constitute an explanation for Watergate, a series of whose consequences have not, decades later, been fully assimilated or understood. The Nixon who passes across the panorama of Jailbird is no more or less ambiguous than Starbuck himself - a man without qualities whose overwhelming quality is one of imposition.
- Sales Rank: #23825 in Audible
- Published on: 2015-11-03
- Released on: 2015-11-03
- Format: Unabridged
- Original language: English
- Running time: 524 minutes
Most helpful customer reviews
43 of 44 people found the following review helpful.
poignant portrait of fallen bureaucrat
By moroe(wrowe@epix.net)
Definitely the best of Vonnegut's novels that I've read, Jailbird is the story of Walter F. Starbuck, the smallest co-conspirator in the Watergate scandal. Having made his loyalties the best as he could, Walter finds himself in prison for withholding evidence against Nixon, even though he really had no true connection to him or respect from his fellow conspriators. After prison, Walter falls once again, committing a crime that mirrors his Watergate involvement in quite a few ways, and he goes to jail for the second time.
Vonnegut's ingenious humor is present always in the book, and his prose is bedazzlingly perfect for the subject. Even though the novel may seem sentimental at times, that seems to be Vonnegut's purpose: his character is a sentimental man and bureaucrat. Readers should note that Vonnegut also uses some symbolism to perfect effect, making the book subtler than most Vonnegut novels. All these elements are Vonnegut at his best; he recreates, hilariously and perfectly, the political world of modern times.
Throughout the story, Jailbird provides a pitiful hero, knocked down over and over again by his own fault in the bureaucratic world he has chosen for his home. It seems not so much the facelessness of the bureacratic system that destroys Walter(a theme visited over and over again in too many books, movies, etc.) as his own attempts to try and become part of that system and his emotional view of this world as a place where people are always considerate; his own desire to be a successful, protected, and respected man is the thing that makes him loyal and willing for all the wrong reasons and to the wrong people. In the end, Walter F. Starbuck is a victim of himself, a "jailbird."
9 of 9 people found the following review helpful.
a comic Kafka for the end of the century
By Marco Polo
I enjoyed the 3 Kurt Vonnegut works I've read so far. This one cruises and rollicks along as well as any. The jokes, the unbelievable coincidences, and the compassionate fury at man's inhumanity to man, both the premeditated kind and that resulting from sheer stupidity and carelessness. The nasty and the rich and powerful get even nastier and richer and more powerful, while the innocent go to jail, and the idealists go out of their minds. The twists and turns of the plot keep you turning the page. As the best fiction often does, this novel tells human and societal truths better than a factional account. The main character, Walter F. Starbuck, is sponsored by an eccentric millionaire who stuttered and was universally despised - his stammer started after witnessing a massacre of workers in front of his father's factory. Moral: the sensitive man cannot protest, only stutter, and is looked on as a fool by all; is that not the way of the world? Grown-up, Starbuck becomes a socialist and joins the communist party, like thousands of others during the Depression era: what could be more natural? A few years later, being a communist becomes a crime against humanity, and Starbuck is interviewed by the commission. Unable to take this persecution of good intentions and high ideals seriously, Starbuck flippantly announces that a famous patriot was also a communist in those days, as were so many others. This offhand remark sends the patriot to jail and ruins his life, a fact which haunts Starbuck till the end of the story.
The story is full of ironic symbolism and is almost a comic allegory in its treatment of contemporary American society. High humanistic ideals and compassion become a crime; those guilty of it are prosecuted with fury. Starbuck's foolishness causes a man's ruin, but rather than rail against society for this, Starbuck is racked with guilt, undiluted by his own imprisonment years later due to Watergate (tho Starbuck's role in it is never explained and Vonnegut has a ball playing with Starbuck's tenuous connection with Nixon: his entire employment in the administration is in a basement office that no-one visits and hardly anyone knows about; Starbuck's reports (on "youth", a subject Starbuck knows little about) are accepted but never commented on in any way.
Vonnegut - a comic Kafka for the end of the century.
13 of 15 people found the following review helpful.
Reading Jailbird is not a bad sentence
By Beth S.
Vonnegut writes another book with a slightly offbeat structure to it. Yes, Jailbird is a book that jumps from the present to the past and then to the future without a definite pattern that reminded me of a slightly demented stream of consciousness. Even with these random jumps between events I still thoroughly enjoyed the book. In fact, the random jumps were part of the reason I enjoyed the novel so much because at the end of the story all of the stories finally came together.
Obviously I had a few other reasons that made me give this book a rating of four stars. One of the major themes I located in Jailbird caught my interest. This theme is that when people act for themselves, ignoring money and other influences, they will be happier with the way their lives turn out. This theme was illustrated in the protagonist Walter Starbuck, who is both controlled and independent in different parts of the story.
This book immediately caught my attention because of the style in which it's written. Even though the story is written in first person it contains a disconnected tone to the whole story. Whenever major events in Walter Starbuck's life are described the description doesn't portray them as being as important as they should be. It reminded me a great deal of Slaughter House Five's "so it goes" comment whenever someone would die.
This is an interesting book for a multitude of different reasons. I highly recommend this book for anyone who is a fan of Vonnegut's offbeat writing style. Even though this story is nothing like the books I normally read for enjoyment, it was definitely worth my time.
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