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Our Spoons Came from Woolworths, by Barbara Comyns
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“I told Helen my story and she went home and cried.” So begins Our Spoons Came from Woolworths. But Barbara Comyns’s beguiling novel is far from tragic, despite the harrowing ordeals its heroine endures.
Sophia is twenty-one and naïve when she marries fellow artist Charles. She seems hardly fonder of her husband than she is of her pet newt; she can’t keep house (everything she cooks tastes of soap); and she mistakes morning sickness for the aftereffects of a bad batch of strawberries. England is in the middle of the Great Depression, and the money Sophia makes from the occasional modeling gig doesn’t make up for her husband’s indifference to paying the rent. Predictably, the marriage falters; not so predictably, Sophia’s artlessness will be the very thing that turns her life around.
- Sales Rank: #754205 in Books
- Published on: 2015-11-10
- Released on: 2015-11-10
- Original language: English
- Number of items: 1
- Dimensions: 7.97" h x .48" w x 4.99" l, .81 pounds
- Binding: Paperback
- 224 pages
Review
"Comyns's world is weird and wonderful ... there's also something uniquely original about her voice. Tragic, comic and completely bonkers all in one, I'd go as far as to call her something of a neglected genius." --Lucy Scholes, The Observer
"A Depression-era artist struggles with crippling poverty and sexism in bohemian London; the result is a surprisingly charming and funny novel...Much of the story revolves around issues of reproduction, housework, and economic opportunity that contemporary feminists would see as questions of justice. But Sophia narrates a story of fairy tale-like fatality, casting an amused, self-deprecating light on even the most painful moments." —Kirkus starred review
"A startling, immersive excavation of poor, young womanhood and marriage gone awry in 1930s London.” —Jane Yong Kim, BOMB magazine
“Our Spoons contains one of the best distillations of Comyns' peculiar style currently available stateside, and is essential for understanding her dark, delightful oeuvre...calculatedly meek, yet sharp enough to give you paper cuts.” —Amy Gentry, Chicago Tribune
“Her capturing of youth is so fresh and accurate that nothing is lost in the passing of decades. There is a modern sensibility at play in her women and their experiences, their attitudes and reactions towards love and sex, marriage and having children...quietly startling...Comyns’s skill is subtle and surprising...I felt both thrill and pride, and I expect as her work continues to be reissued this sense of finding a hidden gem will be shared by other readers, startled and attracted by her talent.”—Lauren Goldenberg, Music and Literature
“A curious hybrid: a mixture of domestic disaster, social commentary, comedy, and romance...What I find so really excellent in this novel, in addition to Comyns’s powers of description and the slow fuse of her comedy, is her ability to show the cold world and its indecencies without spelling everything out...Comyns is a virtuoso at portraying bad behavior...written beautifully, with dash and economy, and…truly unique in [its] eccentric black comedy, whether grotesque or ineffably subtle.” —Katherine A. Powers, The Barnes & Noble Review
"I defy anyone to read the opening pages and not to be drawn in, as I was . . . Quite simply, Comyns writes like no one else" --Maggie O'Farrell
"Comyn's voice has childlike qualities; she looks at everything in the world as though seeing it for the first time. In later books, though, her narrators' naivety is deployed in order to provoke horror; the gap between what the reader knows and the narrator doesn't serves to make the reader fascinated and fearful." --Emily Gould, The Awl
About the Author
Barbara Comyns (1909–1992) was born in Bidford-on-Avon, in the English county of Warwickshire, one of six children of an increasingly unsuccessful Birmingham brewer. Living on the run-down but romantic family estate and receiving her education from governesses, she began to write and illustrate stories at the age of ten. After her father’s death, she attended art school in London and married a painter, with whom she had two children she supported by trading antiques and classic cars, modeling, breeding poodles, and renovating apartments. A second marriage, to Richard Comyns Carr, who worked in the Foreign Office, took place during World War II. Comyns wrote her first book, Sisters by a River (1947), a series of sketches based on her childhood, while living in the country to escape the Blitz, which is also when she made an initial sketch for The Vet’s Daughter (available as an NYRB Classic). This, however, she put aside to complete Our Spoons Came from Woolworths (1950) and Who Was Changed and Who Was Dead (1954). The Vet’s Daughter was published in 1959. Among Comyns’s other books are the novels The Skin Chairs (1962) and The Juniper Tree (1985; forthcoming from NYRB Classics), and Out of the Red into the Blue (1960), a work of nonfiction about Spain, where she lived for eighteen years.
Emily Gould is the author of the essay collection And the Heart Says Whatever and the novel Friendship. She is the co-owner of Emily Books and lives in Brooklyn.
Most helpful customer reviews
15 of 16 people found the following review helpful.
Happy Trials
By alan
I'd been waiting sixteen years to read this book and finally it was given to me to read by a friend who found it throught the Amazon search service.
It's written in the first person and has the typical Comyns' style -- horrific surroundings, mental abuse, and poverty described with the voice of a child in a matter-of-fact way.
In this novel the life of the 1st person narrator is recounted mainly through young adulthood -- she goes through the pains of childbirth, neglect, affairs,etc. and at the end achieves happiness.
I enjoyed this book a great deal mainly for the voice and the style, and also I did believe the descriptions of the type of life the characters lead. I was disappointed, however, with the ending which seemed to be a forced happy ending -- it seemed out of character with the rest of the novel. Fortunately, the ending is only a few pages long.
This novel preceeded her more famous novel, The Vets Daughter, and although interesting and enjoyable, I think it is not as intriguing or internally consistent as The Vet's Daughter.
Of course, I recommend them both.
Alan Solis
10 of 10 people found the following review helpful.
compelling!
By Vivien Geneser
Listed as a favorite book by two different friends in conversations a decade apart, "Spoons" became a must-read for me in the early eighties and has remained one of my favorite novels. I was charmed when the main character wanted to adopt a kitten because it was born on her wedding day, and I enjoyed her discovery of green paint under her fingernails as she knelt at the altar. These and many other images serve to illuminate her commitment to a romantic view of life even when she is faced with dire circumstances. Throughout her journey, as she endures horrid situations,she masterfully paints each scene with a wistful perspective and, somehow prevails. The happy ending serves as a testimony to optimism and perseverance.
8 of 9 people found the following review helpful.
Such A Great Book That I Bought More Of The Same Author
By Larch Books
I bought this book on a whim because I was doing a search on poodles. The author owned poodles, so it showed up in the search. The story sounded good so I bought it. I loved the book so much that I have been searching out all of the other books by the same author. They are all very good and I love them all. Seeing the main character's poor life makes you feel much better about the situation that you are living it. Other people had it worse. The book is well written and kept me reading it. I read it within a day or two. I highly recommend it.
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